I’m having so much fun with this, that I couldn’t wait to post it. Here’s a quick snapshot of the Gil Elvgren study I’m working on at the moment.

I’m really taking my time over this and trying to understand the logic and thinking that’s gone into not only how the brush strokes are constructed, but the colour choices that have been made whilst building the volumes. It’s been a really eye opening experience, and has led to one major revelation that I’ll blog about shortly.